{"id":6305,"date":"2018-05-28T15:27:45","date_gmt":"2018-05-28T14:27:45","guid":{"rendered":"http:\/\/siefar.org\/?p=6305"},"modified":"2018-05-28T15:29:00","modified_gmt":"2018-05-28T14:29:00","slug":"trotot","status":"publish","type":"post","link":"https:\/\/ancien.siefar.org\/en\/trotot\/","title":{"rendered":"Parution de notre adh\u00e9rente Caroline Trotot"},"content":{"rendered":"

\"Trotot\"<\/a>Savoirs et fabrique d\u2019identit\u00e9<\/span><\/strong><\/em><\/p>\n

Paris, Classiques Garnier, mars 2018, 292 p., 34\u20ac,\u00a0ISBN:\u00a0978-2-406-07236-2<\/strong><\/p>\n

Directrice d’ouvrage:<\/i>\u00a0Trotot (Caroline)<\/span><\/strong><\/p>\n

Contributeurs:<\/i>\u00a0Bah Ostrowiecki (H\u00e9l\u00e8ne)<\/span>,\u00a0Carr (Thomas)<\/span>,\u00a0Hyde (Melissa)<\/span>,\u00a0Meeker (Natania)<\/span>,\u00a0Plagnol-Di\u00e9val (Marie-Emmanuelle)<\/span>,\u00a0Seth (Catriona)<\/span>,\u00a0Sofio (S\u00e9verine)<\/span>,\u00a0Soubbotnik (Michael)<\/span>,\u00a0Szabari (Antonia)<\/span>,\u00a0Trotot (Caroline)<\/span>,\u00a0Winn (Colette H.)<\/span>,\u00a0Yandell (Cathy)<\/span><\/strong><\/p>\n

\u00a0Ce recueil de travaux interdisciplinaires \u00e9tudie comment les femmes ont repr\u00e9sent\u00e9 leurs savoirs et s\u2019en sont servi pour fabriquer leur identit\u00e9 de la Renaissance \u00e0 l\u2019aube du\u00a0xix<\/span>e<\/sup>\u00a0si\u00e8cle, \u00e0 travers des cr\u00e9ations litt\u00e9raires ou picturales. Le volume rend manifeste leur contribution aux arts et aux savoirs modernes.<\/p>\n

\n
\n
Sommaire<\/strong><\/div>\n<\/div>\n<\/div>\n
\n
\u00a0<\/div>\n
\n
Introduction<\/span>
Les femmes cr\u00e9atrices et les savoirs, perspectives transfrontali\u00e8res<\/span><\/a><\/div>\n<\/div>\n<\/div>\n
\n
\n
Le corps dialogique dans l\u2019autoportrait de Catherine Des Roches<\/span><\/a><\/div>\n
\u00a0<\/div>\n<\/div>\n<\/div>\n
\n
\n
La reine martyre<\/span>
Constructions identitaires dans les derni\u00e8res lettres de Marie Stuart<\/span><\/a><\/div>\n
\u00a0<\/div>\n<\/div>\n<\/div>\n
\n
\n
Les\u00a0M\u00e9moires<\/i>\u00a0de Marguerite de Valois, exp\u00e9rience des savoirs, savoirs de l\u2019exp\u00e9rience<\/span><\/a><\/div>\n
\u00a0<\/div>\n<\/div>\n<\/div>\n
\n
\n
\u00ab Ignorante et indocile \u00bb : \u00c9lisabeth dans ses lettres \u00e0 Descartes<\/span><\/a><\/div>\n
\u00a0<\/div>\n<\/div>\n<\/div>\n
\n
\n
Autoportrait de femme en latiniste absente<\/span>
Lucy Hutchinson ou le r\u00e9cit de la rencontre et de la perte<\/span><\/a><\/div>\n
\u00a0<\/div>\n<\/div>\n<\/div>\n
\n
\n
Religieuses et la\u00efques jans\u00e9nistes aux prises avec l\u2019interdiction de Saint Paul<\/span>
Le cas de Marie-Catherine Homassel Hecquet<\/span><\/a><\/div>\n
\u00a0<\/div>\n<\/div>\n<\/div>\n
\n
\n
Une artiste en r\u00e9sidence dans le monde des fleurs<\/span>
L’art botanique de Madeleine Fran\u00e7oise Basseporte<\/span><\/a><\/div>\n
\u00a0<\/div>\n<\/div>\n<\/div>\n
\n
\n
\u00ab Que sais-je ? Qui suis-je ? \u00bb<\/span>
Autoportraits et \u00e9criture intime au\u00a0xviii<\/span><\/span>e<\/sup>\u00a0si\u00e8cle<\/span><\/a><\/div>\n
\u00a0<\/div>\n<\/div>\n<\/div>\n
\n
\n
Autobiographies et m\u00e9moires fragment\u00e9s et obliques<\/span>
L’exemple de Mme de Genlis<\/span><\/a><\/div>\n
\u00a0<\/div>\n<\/div>\n<\/div>\n
\n
\n
\u00ab Peinte par elle-m\u00eame ? \u00bb<\/span>
Femmes artistes, professeures et \u00e9tudiantes d\u2019Anguissola \u00e0 Haudebourt-Lescot<\/span><\/a><\/div>\n
\u00a0<\/div>\n<\/div>\n<\/div>\n
\n
\n
\u00ab Portrait de l\u2019artiste \u00e0 son chevalet \u00bb<\/span>
La pratique de l\u2019autoportrait par les artistes femmes et hommes dans le dernier tiers du\u00a0xviii<\/span><\/span>e<\/sup>\u00a0si\u00e8cle<\/span><\/a><\/div>\n
\u00a0<\/div>\n<\/div>\n<\/div>\n
\n
\n
Index<\/a><\/span><\/div>\n<\/div>\n<\/div>\n
\n
\n
R\u00e9sum\u00e9s\/Abstracts<\/i><\/a><\/span><\/div>\n<\/div>\n<\/div>\n
\n
\n
Table des mati\u00e8res<\/span><\/a><\/div>\n<\/div>\n<\/div>\n

\u00a0<\/p>\n

Commander en ligne<\/a><\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"

Savoirs et fabrique d\u2019identit\u00e9 Paris, Classiques Garnier, mars 2018, 292 p., 34\u20ac,\u00a0ISBN:\u00a0978-2-406-07236-2 Directrice d’ouvrage:\u00a0Trotot (Caroline) Contributeurs:\u00a0Bah Ostrowiecki (H\u00e9l\u00e8ne),\u00a0Carr (Thomas),\u00a0Hyde (Melissa),\u00a0Meeker (Natania),\u00a0Plagnol-Di\u00e9val (Marie-Emmanuelle),\u00a0Seth (Catriona),\u00a0Sofio (S\u00e9verine),\u00a0Soubbotnik (Michael),\u00a0Szabari (Antonia),\u00a0Trotot (Caroline),\u00a0Winn (Colette H.),\u00a0Yandell (Cathy) […]<\/p>\n","protected":false},"author":1,"featured_media":6306,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_price":"","_stock":"","_tribe_ticket_header":"","_tribe_default_ticket_provider":"","_tribe_ticket_capacity":"0","_ticket_start_date":"","_ticket_end_date":"","_tribe_ticket_show_description":"","_tribe_ticket_show_not_going":false,"_tribe_ticket_use_global_stock":"","_tribe_ticket_global_stock_level":"","_global_stock_mode":"","_global_stock_cap":"","_tribe_rsvp_for_event":"","_tribe_ticket_going_count":"","_tribe_ticket_not_going_count":"","_tribe_tickets_list":[],"_tribe_ticket_has_attendee_info_fields":false},"categories":[5,7],"tags":[],"translation":{"provider":"WPGlobus","version":"3.0.0","language":"en","enabled_languages":["fr","en"],"languages":{"fr":{"title":true,"content":true,"excerpt":false},"en":{"title":false,"content":false,"excerpt":false}}},"_links":{"self":[{"href":"https:\/\/ancien.siefar.org\/en\/wp-json\/wp\/v2\/posts\/6305"}],"collection":[{"href":"https:\/\/ancien.siefar.org\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/ancien.siefar.org\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/ancien.siefar.org\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/ancien.siefar.org\/en\/wp-json\/wp\/v2\/comments?post=6305"}],"version-history":[{"count":3,"href":"https:\/\/ancien.siefar.org\/en\/wp-json\/wp\/v2\/posts\/6305\/revisions"}],"predecessor-version":[{"id":6309,"href":"https:\/\/ancien.siefar.org\/en\/wp-json\/wp\/v2\/posts\/6305\/revisions\/6309"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/ancien.siefar.org\/en\/wp-json\/wp\/v2\/media\/6306"}],"wp:attachment":[{"href":"https:\/\/ancien.siefar.org\/en\/wp-json\/wp\/v2\/media?parent=6305"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/ancien.siefar.org\/en\/wp-json\/wp\/v2\/categories?post=6305"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/ancien.siefar.org\/en\/wp-json\/wp\/v2\/tags?post=6305"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}