{"id":5845,"date":"2017-11-20T12:54:40","date_gmt":"2017-11-20T11:54:40","guid":{"rendered":"http:\/\/siefar.org\/?p=5845"},"modified":"2023-05-06T14:19:53","modified_gmt":"2023-05-06T13:19:53","slug":"veronique-lochert","status":"publish","type":"post","link":"https:\/\/ancien.siefar.org\/en\/veronique-lochert\/","title":{"rendered":"V\u00e9ronique LOCHERT"},"content":{"rendered":"<p><strong>Lyon, France *\u00a0<\/strong><a href=\"mailto:veronique.lochert@uha.fr\">veronique.lochert@uha.fr<\/a><\/p>\n<p><strong>MCF HDR * Universit\u00e9 de Haute-Alsace * Litt\u00e9rature compar\u00e9e * XVI<sup>e<\/sup>, XVII<sup>e<\/sup> si\u00e8cles<\/strong><\/p>\n<p><em>Th\u00e9\u00e2tre europ\u00e9en de la premi\u00e8re modernit\u00e9, Th\u00e9ories et pratiques du th\u00e9\u00e2tre, Histoire du livre, Paratexte dramatique, Echanges interg\u00e9n\u00e9riques, Spectatrices de th\u00e9\u00e2tre<\/em><\/p>\n<p>\u00a0<\/p>\n<p><span style=\"color: #800000;\"><strong>OUVRAGES<\/strong><\/span><\/p>\n<p>\u2013 <em>Les femmes aussi vont au th\u00e9\u00e2tre. Les spectatrices dans l\u2019Europe de la premi\u00e8re modernit\u00e9<\/em>, Rennes, Presses universitaires de Rennes, collection \u00ab Le Spectaculaire \u00bb, 2023. \u2013 dir. avec Marie Bouha\u00efk-Giron\u00e8s, C\u00e9line Candiard, Fabien Cavaill\u00e9, Jeanne-Marie-Hostiou, M\u00e9lanie Traversier, <em>Spectatrices ! Les femmes au spectacle de l\u2019Antiquit\u00e9 \u00e0 nos jours<\/em>, Paris, CNRS \u00c9ditions, 2022.<br \/>\n\u2013 dir. avec Florence d\u2019Artois, Patrizia De Capitani, Lise Michel et Clotilde Thouret, <em><a href=\"https:\/\/journals.openedition.org\/episteme\/15230\" rel=\"\"noopener\" target=\"_blank\">\u00c9crire pour elles. Dramaturges et spectatrices en Europe<\/a><\/em>, num\u00e9ro sp\u00e9cial de la revue <em>\u00c9tudes \u00c9pist\u00e9m\u00e8<\/em>, n\u00b0 42, 2022.<\/p>\n<p><span style=\"color: #800000;\"><strong>ARTICLES<\/strong><\/span><\/p>\n<p>\u2013 <a href=\"https:\/\/sceneeuropeenne.univ-tours.fr\/sites\/default\/files\/regards\/pdf\/RCSSE9-06-LOCHERT.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">\u00ab \u201cVoir et \u00eatre vues\u201d : les spectatrices et le regard \u00bb<\/a>, in <em>Le Regard au th\u00e9\u00e2tre de l\u2019\u00e2ge baroque et de la Renaissance<\/em>, \u00e9d. J. C. Garrot Zambrana, \u00ab Sc\u00e8ne europ\u00e9enne, Regards crois\u00e9s sur la sc\u00e8ne europ\u00e9enne \u00bb, CESR, Universit\u00e9 de Tours, 2023, p. 81-93.<br \/>\n\u2013 <a href=\"https:\/\/www.fabula.org\/lht\/25\/lochert.html\" target=\"_blank\" rel=\"noopener noreferrer\">\u00ab D\u00e9battre d\u2019une h\u00e9ro\u00efne tragique au XVII<sup>e<\/sup> si\u00e8cle (et apr\u00e8s) : les exemples de Sophonisbe et de Desd\u00e9mone \u00bb<\/a>, <em>Fabula-LhT<\/em>, n\u00b0 25, 2021.<br \/> \u2013 \u00ab Penser les \u00e9motions au f\u00e9minin dans le th\u00e9\u00e2tre de la premi\u00e8re modernit\u00e9 \u00bb, <em>European Drama and Performance Studies<\/em>, n\u00b0 17, 2021, p. 181-202.<br \/>\n\u2013 \u00ab \u201cRegarder hardiment et avec plaisir\u201d ou \u201cd\u00e9tourner les yeux\u201d ? Les dangers du th\u00e9\u00e2tre pour les spectatrices (France-Angleterre, XVI<sup>e<\/sup>-XVII<sup>e<\/sup> si\u00e8cles) \u00bb, <em>Litt\u00e9ratures classiques<\/em>, n\u00b0 99, 2019, p. 93-105.<br \/> \u2013 \u00ab Les spectatrices sous le regard des voyageurs \u00bb, <em>Double Jeu<\/em>, n\u00b0 16, 2019, p. 117-127. <br \/>&#8211; \u00ab Portraits de spectatrices dans les th\u00e9\u00e2tres fran\u00e7ais et anglais au XVII<sup>e<\/sup> si\u00e8cle \u00bb, in\u00a0D. Abrecht, L. Michel &#038; C. Piot (dir.), <em>Faire \u0153uvre d\u2019une r\u00e9ception: portraits de spectateurs de th\u00e9\u00e2tre (spectacles, textes, films, images) XVI<sup>e<\/sup>-XXI<sup>e<\/sup> si\u00e8cle<\/em>, Montpellier, L\u2019Entretemps, 2019. <br \/>&#8211; \u00ab La haine des h\u00e9ro\u00efnes de Shakespeare \u00bb, in\u00a0E. Angel-Perez et F. Lecercle (dir.)<em>, La Haine de Shakespeare<\/em>, Paris, Presses Sorbonne Universit\u00e9, 2017.<br \/> &#8211; \u00ab Y a-t-il une critique f\u00e9minine ? Repr\u00e9sentations du jugement des spectatrices dans le th\u00e9\u00e2tre fran\u00e7ais du XVII<sup>e<\/sup> si\u00e8cle \u00bb, <em>Litt\u00e9ratures classiques<\/em>, 89, 2016, p. 75-86.<\/p>\n<p>\u00a0<\/p>\n<p><span style=\"color: #800000;\"><strong>COMPTE RENDU<\/strong><\/span><br \/>\n&#8211; <em>La Spectatrice<\/em>, dir. d\u2019Alexis L\u00e9vrier, (Reims,\u00a0PU de Reims, 2013) : <em>Revue de litt\u00e9rature compar\u00e9e<\/em>, 359, 2016, p. 357-358.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Lyon, France *\u00a0veronique.lochert@uha.fr MCF HDR * Universit\u00e9 de Haute-Alsace * Litt\u00e9rature compar\u00e9e * XVIe, XVIIe si\u00e8cles Th\u00e9\u00e2tre europ\u00e9en de la premi\u00e8re modernit\u00e9, Th\u00e9ories et pratiques du th\u00e9\u00e2tre, Histoire du livre, [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_price":"","_stock":"","_tribe_ticket_header":"","_tribe_default_ticket_provider":"","_tribe_ticket_capacity":"0","_ticket_start_date":"","_ticket_end_date":"","_tribe_ticket_show_description":"","_tribe_ticket_show_not_going":false,"_tribe_ticket_use_global_stock":"","_tribe_ticket_global_stock_level":"","_global_stock_mode":"","_global_stock_cap":"","_tribe_rsvp_for_event":"","_tribe_ticket_going_count":"","_tribe_ticket_not_going_count":"","_tribe_tickets_list":[],"_tribe_ticket_has_attendee_info_fields":false},"categories":[16],"tags":[],"translation":{"provider":"WPGlobus","version":"3.0.0","language":"en","enabled_languages":["fr","en"],"languages":{"fr":{"title":true,"content":true,"excerpt":false},"en":{"title":false,"content":false,"excerpt":false}}},"_links":{"self":[{"href":"https:\/\/ancien.siefar.org\/en\/wp-json\/wp\/v2\/posts\/5845"}],"collection":[{"href":"https:\/\/ancien.siefar.org\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/ancien.siefar.org\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/ancien.siefar.org\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/ancien.siefar.org\/en\/wp-json\/wp\/v2\/comments?post=5845"}],"version-history":[{"count":9,"href":"https:\/\/ancien.siefar.org\/en\/wp-json\/wp\/v2\/posts\/5845\/revisions"}],"predecessor-version":[{"id":10590,"href":"https:\/\/ancien.siefar.org\/en\/wp-json\/wp\/v2\/posts\/5845\/revisions\/10590"}],"wp:attachment":[{"href":"https:\/\/ancien.siefar.org\/en\/wp-json\/wp\/v2\/media?parent=5845"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/ancien.siefar.org\/en\/wp-json\/wp\/v2\/categories?post=5845"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/ancien.siefar.org\/en\/wp-json\/wp\/v2\/tags?post=5845"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}