{"id":3369,"date":"2012-07-16T21:15:16","date_gmt":"2012-07-16T21:15:16","guid":{"rendered":"704"},"modified":"-0001-11-30T00:00:00","modified_gmt":"-0001-11-30T07:00:00","slug":"marguerite-de-valois-et-la-saint-barthelemy-dans-un-siecle-de-violence","status":"publish","type":"post","link":"https:\/\/ancien.siefar.org\/en\/marguerite-de-valois-et-la-saint-barthelemy-dans-un-siecle-de-violence\/","title":{"rendered":"Marguerite de Valois et la Saint-Barth\u00e9lemy dans un si\u00e8cle de violence."},"content":{"rendered":"
Imaginaire, créations picturales, romanesques et filmiques du XVIe siècle au XXe siècle.<\/span><\/strong><\/em><\/div>\n
<\/span><\/div>\n
Gabrielle Nicole DE LA TOUR D’AUVERGNE<\/span><\/strong><\/span><\/div>\n

\n<\/span><\/div>\n
Lettres et sciences humaines, dir. Christiane Chaulet-Achour, Centre de recherches textes et francophonie, Université de Cergy-Pontoise, 25 novembre 2011<\/span><\/strong><\/div>\n

\n<\/span><\/div>\n
Cette thèse est consacrée à Marguerite de Valois et à la Saint-Barthélemy ; la première partie s’intéresse à l’évolution de l’art religieux vers l’art laïc, la deuxième partie se penche sur les massacres, sujets de création pour des peintres comme Antoine Caron, Hans Vredeman de Vries ou encore un disciple de Nicolo Dell ‘Abate et pour un homme de théâtre, Christopher Marlowe. Enfin, la dernière partie porte sur le roman de Dumas et sur les films de Jacques Dréville et de Patrice Chéreau portant le même titre : La Reine Margot. Ces études sont traversées par la violence qui donne sa part de créativité et d’angoisse.<\/span><\/div>\n

\n<\/span><\/div>\n

\n<\/span><\/div>\n
Mots clés : <\/span><\/em>Marguerite de Valois, Patrice Chéreau, Peinture française de la Renaissance, Massacre de la Saint-Barthélemy, Catherine de Médicis.<\/span><\/div>\n","protected":false},"excerpt":{"rendered":"

Imaginaire, créations picturales, romanesques et filmiques du XVIe siècle au XXe siècle. Gabrielle Nicole DE LA TOUR D’AUVERGNE Lettres et sciences humaines, dir. Christiane Chaulet-Achour, Centre de recherches textes et […]<\/p>\n","protected":false},"author":14,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_price":"","_stock":"","_tribe_ticket_header":"","_tribe_default_ticket_provider":"","_tribe_ticket_capacity":"0","_ticket_start_date":"","_ticket_end_date":"","_tribe_ticket_show_description":"","_tribe_ticket_show_not_going":false,"_tribe_ticket_use_global_stock":"","_tribe_ticket_global_stock_level":"","_global_stock_mode":"","_global_stock_cap":"","_tribe_rsvp_for_event":"","_tribe_ticket_going_count":"","_tribe_ticket_not_going_count":"","_tribe_tickets_list":[],"_tribe_ticket_has_attendee_info_fields":false},"categories":[13],"tags":[],"translation":{"provider":"WPGlobus","version":"3.0.0","language":"en","enabled_languages":["fr","en"],"languages":{"fr":{"title":true,"content":true,"excerpt":false},"en":{"title":false,"content":false,"excerpt":false}}},"_links":{"self":[{"href":"https:\/\/ancien.siefar.org\/en\/wp-json\/wp\/v2\/posts\/3369"}],"collection":[{"href":"https:\/\/ancien.siefar.org\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/ancien.siefar.org\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/ancien.siefar.org\/en\/wp-json\/wp\/v2\/users\/14"}],"replies":[{"embeddable":true,"href":"https:\/\/ancien.siefar.org\/en\/wp-json\/wp\/v2\/comments?post=3369"}],"version-history":[{"count":0,"href":"https:\/\/ancien.siefar.org\/en\/wp-json\/wp\/v2\/posts\/3369\/revisions"}],"wp:attachment":[{"href":"https:\/\/ancien.siefar.org\/en\/wp-json\/wp\/v2\/media?parent=3369"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/ancien.siefar.org\/en\/wp-json\/wp\/v2\/categories?post=3369"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/ancien.siefar.org\/en\/wp-json\/wp\/v2\/tags?post=3369"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}