{"id":3296,"date":"2010-02-22T19:30:45","date_gmt":"2010-02-22T19:30:45","guid":{"rendered":"http:\/\/630"},"modified":"2020-04-20T14:01:46","modified_gmt":"2020-04-20T13:01:46","slug":"cathy-yandell","status":"publish","type":"post","link":"https:\/\/ancien.siefar.org\/en\/cathy-yandell\/","title":{"rendered":"Cathy YANDELL"},"content":{"rendered":"
USA * <\/strong>cyandell@carleton.edu<\/a><\/span><\/div>\n
\u00a0<\/span><\/div>\n
PR * Carleton College * Litt\u00e9rature fran\u00e7aise, XVIe<\/sup> si\u00e8cle<\/strong><\/span><\/div>\n
\u00a0<\/span><\/div>\n
Pol\u00e9mique et Guerres de religion, Chanson pol\u00e9mique, Litt\u00e9rature de voyage, Po\u00e9sie, Dialogue, Discours, Temporalit\u00e9, Politique et p\u00e9dagogie, Blasons anatomiques du corps f\u00e9minin, Corps et connaissance, Rh\u00e9torique et \u00ab genre \u00bb <\/em><\/span><\/div>\n

\n OUVRAGES<\/strong><\/span>
\n – (avec D. P. LaGuardia, dir.) Memory and Community in Sixteenth-Century France<\/em>, Farnham, Burlington, Ashgate, 2015. [articles sur Jeanne d\u2019Albret, Marguerite de Navarre, Catherine de M\u00e9dicis, et les sorciers et sorci\u00e8res du Carroi de Marlou]<\/span><\/div>\n
– (avec Colette H. Winn, dir.)\u00a0Vieillir \u00e0 la Renaissance<\/em><\/a>, Paris, H. Champion, 2009 [plusieurs chapitres sur les femmes et la masculinit\u00e9 vieillissante].
\n – (avec Mary Rice-DeFosse, dir.) \u00c9criture courante : Critical Perspectives on French and Francophone<\/em>, num\u00e9ro sp\u00e9cial de Women in French Studies<\/em>, 2005.
\n – Carpe Corpus : Time and Gender in Early Modern France<\/em>, Newark\/London, Univ. of Delaware Press\/Associated UP, 2000. <\/span><\/div>\n

\n ARTICLES<\/strong><\/span>
\n – \u00ab Anatomy of a Political Pamphlet, Ronsard\u2019s Discours \u00e0 la Royne \u00bb, in J. DeVos & B.Hayes (dir.), The Construction of a Vernacular Literature in France. In Honor of Edwin Duval<\/em>, Yale French Studies (\u00e0 para\u00eetre, 2017). <\/span><\/div>\n
– \u00ab “Foolish, Lascivious Songs”, Contrafacta, and Religious Conflict in Sixteenth-Century France \u00bb, in K. Loysen &\u00a0Colette H. Winn (dir.), Storytelling in Sixteenth-Century France<\/em>, (\u00e0 para\u00eetre).<\/span><\/div>\n
– \u00ab Le corps dialogique dans l\u2019autoportrait de Catherine des Roches\u00bb, in C. Trotot (dir.), Savoirs, identit\u00e9s et repr\u00e9sentations des femmes \u00e0 l\u2019\u00e9poque moderne<\/em>, Paris, Garnier (\u00e0 para\u00eetre, 2017). <\/span><\/div>\n
– \u00ab Iconography and Iconoclasm : The Female Breast in French Renaissance Culture \u00bb, French Review<\/em>, 83, 3, f\u00e9vrier 2010, p. 540-558.
\n – \u00ab The French Renaissance Chanson and Cultural Context in the Heptameron \u00bb, in C. H. Winn (dir.), Approaches to Teaching Marguerite de Navarre\u2019s Heptameron<\/em>, New York, Modern Language Association, 2007, p.191-97.
\n – \u00ab Rhetoric and Virility in Ronsard\u2019s Les Folastries<\/em> \u00bb, in P. Ford et P. White (dir.), Masculinities in Sixteenth-Century France : Proceedings of the Eighth<\/a>,<\/em> Cambridge, Cambridge French Colloquia, 2006, p. 85-102 ; r\u00e9\u00e9d. in M. Lee (dir.), Poetry Criticism, Detroit, Gale Publishing (\u00e0 para\u00eetre).
\n – \u00ab Les roses de Ronsard: humanisme et subjectivit\u00e9 \u00bb, in D. de Courcelles (dir.), Nature et paysage. L\u2019\u00e9mergence d\u2019une nouvelle subjectivit\u00e9 \u00e0 la Renaissance, Paris, \u00c9cole des Chartes, 2006, p. 29-38 (Masculinit\u00e9s : le po\u00e8te assume le r\u00f4le de la femme dans son imagerie de la nature)<\/em>.
\n – \u00ab Seeking the Other in Early Modern Literature \u00bb, in C. Rutz & S. Singer (dir.), Reflections on Learning as Teachers,<\/em> Northfield, College City Press, 2004, p.137-146.
\n – \u00ab Les ames sans corps et les corps sans ames, la p\u00e9dagogie dialectique de Catherine des Roches \u00bb, in I. Brouard-Arends (dir.), Lectrices d’Ancien R\u00e9gime<\/a>, <\/em>Rennes, PUR, 2003, p.557-66.
\n – \u00ab L’amour au f\u00e9minin ? Ronsard and Pontus de Tyard Writing as Women \u00bb, in C. H. Winn (dir.), Ronsard : figure de la vari\u00e9t\u00e9<\/em>, Gen\u00e8ve, Droz, 2002, p.65-83.
\n – \u00ab Louise Lab\u00e9’s Transgressions \u00bb, in K. Perry Long (dir.), High Anxiety : Masculinity in Crisis in Early Modern France<\/em>, Kirksville, Sixteenth Century Studies, 2002, p.1-17.
\n – \u00ab “L’habit de fait pas la nonne” : Controversy and Authority in Anne de Marquets \u00bb, Medi\u00e6valia<\/em>, 22, 1999, p.157-180.
\n – \u00ab Raconter le temps : la r\u00e9flexivit\u00e9 dans Les Mis\u00e8res de la femme mari\u00e9e<\/em> de Nicole Estienne \u00bb, in J.-Ph. Beaulieu & D. Desrosiers-Bonin (dir.), Dans les miroirs de l’\u00e9criture. La r\u00e9flexivit\u00e9 chez les femmes \u00e9crivains d’Ancien R\u00e9gime<\/em>, Montr\u00e9al, Paragraphes, 1998, p.49-60.
\n – \u00ab Carpe Diem, Poetic Immortality and the Gendered Ideology of Time \u00bb, in A.R. Larsen & C. H. Winn (dir.), Renaissance Women Writers : French Texts\/American Contexts,<\/em> Detroit, Wayne State UP, 1994, p.115-129.
\n – \u00ab Of Lice and Women : La Puce <\/em>de Madame des Roches \u00bb, Journal of Medieval and Renaissance Studies<\/em>, 20, 1990, p.123-135. <\/span><\/div>\n

\n NOTICES<\/strong><\/span>
\n – \u00ab Nicole Estienne \u00bb, in A. R. Larsen (dir.), Encylopedia on Women in the Renaissance<\/em><\/a>, ABC-CLIO, 2007.
\n – \u00ab Nicole Estienne<\/a> \u00bb, in Dictionnaire des femmes de l’Ancienne France,<\/em> SIEFAR, 2003.
\n – \u00ab Carpe Diem \u00bb, in E. Sartori (dir.), The Feminist Encyclopedia of French Literature, <\/em>Westport (Connect.), Greenwood Press, 1999, p.76-78.<\/span><\/p>\n

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USA * cyandell@carleton.edu \u00a0 PR * Carleton College * Litt\u00e9rature fran\u00e7aise, XVIe si\u00e8cle \u00a0 Pol\u00e9mique et Guerres de religion, Chanson pol\u00e9mique, Litt\u00e9rature de voyage, Po\u00e9sie, Dialogue, Discours, Temporalit\u00e9, Politique et […]<\/p>\n","protected":false},"author":2,"featured_media":1933,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_price":"","_stock":"","_tribe_ticket_header":"","_tribe_default_ticket_provider":"","_tribe_ticket_capacity":"0","_ticket_start_date":"","_ticket_end_date":"","_tribe_ticket_show_description":"","_tribe_ticket_show_not_going":false,"_tribe_ticket_use_global_stock":"","_tribe_ticket_global_stock_level":"","_global_stock_mode":"","_global_stock_cap":"","_tribe_rsvp_for_event":"","_tribe_ticket_going_count":"","_tribe_ticket_not_going_count":"","_tribe_tickets_list":[],"_tribe_ticket_has_attendee_info_fields":false},"categories":[16,1],"tags":[],"translation":{"provider":"WPGlobus","version":"3.0.0","language":"en","enabled_languages":["fr","en"],"languages":{"fr":{"title":true,"content":true,"excerpt":false},"en":{"title":false,"content":false,"excerpt":false}}},"_links":{"self":[{"href":"https:\/\/ancien.siefar.org\/en\/wp-json\/wp\/v2\/posts\/3296"}],"collection":[{"href":"https:\/\/ancien.siefar.org\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/ancien.siefar.org\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/ancien.siefar.org\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/ancien.siefar.org\/en\/wp-json\/wp\/v2\/comments?post=3296"}],"version-history":[{"count":5,"href":"https:\/\/ancien.siefar.org\/en\/wp-json\/wp\/v2\/posts\/3296\/revisions"}],"predecessor-version":[{"id":8351,"href":"https:\/\/ancien.siefar.org\/en\/wp-json\/wp\/v2\/posts\/3296\/revisions\/8351"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/ancien.siefar.org\/en\/wp-json\/wp\/v2\/media\/1933"}],"wp:attachment":[{"href":"https:\/\/ancien.siefar.org\/en\/wp-json\/wp\/v2\/media?parent=3296"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/ancien.siefar.org\/en\/wp-json\/wp\/v2\/categories?post=3296"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/ancien.siefar.org\/en\/wp-json\/wp\/v2\/tags?post=3296"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}