{"id":2041,"date":"-0001-11-30T00:00:00","date_gmt":"-0001-11-30T07:52:58","guid":{"rendered":"20023"},"modified":"-0001-11-30T00:00:00","modified_gmt":"-0001-11-30T07:00:00","slug":"nos-adhrent-e-s-publient_23","status":"publish","type":"post","link":"https:\/\/ancien.siefar.org\/en\/nos-adhrent-e-s-publient_23\/","title":{"rendered":"n"},"content":{"rendered":"<p><\/em><\/p>\n<div class=\"corpsTexte\"><span style=\"font-size: small;\"><b><i><\/i><\/b><\/span><span style=\"font-size: small;\">Paris,                         L&#8217;Harmattan, 2009, 20                         ?, 212 p., ISBN : 978-2-296-07519-1<\/span><\/div>\n<div class=\"corpsTexte\"><span style=\"font-size: small;\"><br \/>On<br \/>\nne na\u00eet pas homme, on le devient. Ce principe, qui depuis vingt ans<br \/>\nanime des recherches en sociologie, en anthropologie et en histoire sur<br \/>\nle fa\u00e7onnement et la constitution de la masculinit\u00e9, n&#8217;a eu jusqu&#8217;\u00e0<br \/>\npr\u00e9sent qu&#8217;une influence fort limit\u00e9e dans le domaine des \u00e9tudes<br \/>\nlitt\u00e9raires et culturelles. Pour aider \u00e0 combler cette lacune, les<br \/>\nessais r\u00e9unis ici examinent l&#8217;\u00e9laboration de sujets masculins, dans et<br \/>\n\u00e0 travers des textes \u00e9crits ou filmiques, de genres vari\u00e9s, du Moyen<br \/>\n\u00c2ge \u00e0 nos jours. Se dessine ainsi un homme bigarr\u00e9 et mobile, un ?<br \/>\nhomme en tous genres ?.<\/span><\/div>\n<div class=\"corpsTexte\"><span style=\"font-size: small;\"><\/span><\/div>\n<div class=\"corpsTexte\"><span style=\"font-size: small;\"><b>Contributeurs                         et contributrices :<\/b><\/span><\/div>\n<div class=\"corpsTexte\"><span style=\"font-size: small;\"><\/span><\/div>\n<div class=\"corpsTexte\"><span style=\"font-size: small;\">Xavier BOURDENET, William BURGWINKLE, David CARON, Yves CLAVARON,<br \/>\nMary, DONALDSON-EVANS, Gary FERGUSON, Nicholas HAMMOND, David<br \/>\nLAGUARDIA, Bruno MENIEL, Mireille ROSELLO, Jean-Marie ROULIN, Edgard<br \/>\nSANKARA, Paul SCOTT, Andrea VALENTINI.<\/span><\/div>\n<div class=\"corpsTexte\"><span style=\"font-size: small;\"><br \/><b>TABLE                         DES MATIERES<\/b><\/span><\/div>\n<div class=\"corpsTexte\"><span style=\"font-size: small;\"><\/span><\/div>\n<div class=\"corpsTexte\"><span style=\"font-size: small;\"><b> <\/b><\/span><\/div>\n<div class=\"corpsTexte\"><span style=\"font-size: small;\"><i> <\/i><\/span><\/div>\n<div class=\"corpsTexte\"><span style=\"font-size: small;\">Gary                         FERGUSON : L&#8217;homme en tous genres 7<\/span><\/div>\n<div class=\"corpsTexte\"><span style=\"font-size: small;\">William                         BURGWINKLE : Mod\u00e8les m\u00e9di\u00e9vaux de l&#8217;amiti\u00e9                         masculine 21<\/span><\/div>\n<div class=\"corpsTexte\"><span style=\"font-size: small;\">Andrea<br \/>\nVALENTINI : L&#8217;ironie et le genre : sp\u00e9cificit\u00e9 du h\u00e9ros dans le roman<br \/>\noccitan de <i>Jaufr\u00e9 <\/i>35<\/span><\/div>\n<div class=\"corpsTexte\"><span style=\"font-size: small;\">David                         LAGUARDIA : L&#8217;\u00e9criture polymorphe de la masculinit\u00e9                         chez Rabelais 49<\/span><\/div>\n<div class=\"corpsTexte\"><span style=\"font-size: small;\">Bruno                         M\u00c9NIEL : La fa\u00e7on virile de Montaigne 63<\/span><\/div>\n<div class=\"corpsTexte\"><span style=\"font-size: small;\">Paul                         SCOTT : Masculinit\u00e9 et mode au XVIIe si\u00e8cle : <i>L&#8217;Histoire<\/i><i> <\/i> <i>des                         perruques <\/i>de l&#8217;abb\u00e9 J.-B. Thiers 77<\/span><\/div>\n<div class=\"corpsTexte\"><span style=\"font-size: small;\">Nicholas                         HAMMOND : Bavardages et masculinit\u00e9s au XVIIe si\u00e8cle                         91<\/span><\/div>\n<div class=\"corpsTexte\"><span style=\"font-size: small;\">Jean-Marie<br \/>\nROULIN : Virilit\u00e9 et pouvoir dans l&#8217;imaginairedes textes \u00e9rotiques de<br \/>\nla R\u00e9volution 107<\/span><\/div>\n<div class=\"corpsTexte\"><span style=\"font-size: small;\">Mary                         DONALDSON-EVANS : Douceur de la vengeance : portraits                         masculins dans <i>Ourika <\/i>de                         Claire de Duras 121<\/span><\/div>\n<div class=\"corpsTexte\"><span style=\"font-size: small;\">Xavier                         BOURDENET : \u00ab <i>Cave amantem <\/i> \u00bb : le masculin dans<i>La                         V\u00e9nus d&#8217;Ille <\/i>135<\/span><\/div>\n<div class=\"corpsTexte\"><span style=\"font-size: small;\">Yves<br \/>\nCLAVARON : La vie d&#8217;Ahmed\/Zahra ou la mise en crise de la masculinit\u00e9<br \/>\nchez Tahar Ben Jelloun 149<\/span><\/div>\n<div class=\"corpsTexte\"><span style=\"font-size: small;\">Edgard                         SANKARA : L&#8217;appropriation du masculin dans <i>Kesso,                         princesse<\/i><i> <\/i> <i>peuhle <\/i>de                         Kesso Barry 163<\/span><\/div>\n<div class=\"corpsTexte\"><span style=\"font-size: small;\">David                         CARON : Masculinit\u00e9 et altertemporalit\u00e9 dans <i>J&#8217;apprends<\/i><i> <\/i> <i>l&#8217;allemand <\/i>de Denis Lachaud 177<\/span><\/div>\n<div class=\"corpsTexte\"><span style=\"font-size: small;\">Mireille                         ROSELLO : \u00ab Ils se mari\u00e8rent&#8230; etc. \u00bb : <i>Chouchou,La                         Confusion des genres <\/i>et autres mariages 191<\/span><\/div>\n<div class=\"corpsTexte\"><span style=\"font-size: small;\"><\/span><\/div>\n<div class=\"corpsTexte\"><span style=\"font-size: small;\"><b>Comptes                         rendus<\/b><\/span><\/div>\n<div class=\"corpsTexte\"><span style=\"font-size: small;\"><\/span><\/div>\n<div class=\"corpsTexte\"><span style=\"font-size: small;\"><b> <\/b><\/span><\/div>\n<div class=\"corpsTexte\"><span style=\"font-size: small;\">Philip                         FORD et Paul WHITE, dir., <i>Masculinities in                         Sixteenth-Century<\/i><i> <\/i> <i>France.                         Proceedings of the Eighth Cambridge French Renaissance<\/i><i> <\/i> <i>Colloquium,                         5-7 July 2003 <\/i>(Bruno                         Petey-Girard) 205<\/span><\/div>\n<div class=\"corpsTexte\"><span style=\"font-size: small;\">R\u00e9gis                         REVENIN, dir., <i>Hommes et Masculinit\u00e9s de 1789 \u00e0 nos                         jours :<\/i><i> <\/i> <i>contributions                         \u00e0 l&#8217;histoire du genre et de la sexualit\u00e9 en France<\/i><i> <\/i> (Juan Jim\u00e9nez                         Salcedo) 207<\/span><\/div>\n<div class=\"corpsTexte\"><span style=\"font-size: small;\"><\/span><\/div>\n<div class=\"corpsTexte\"><span style=\"font-size: small;\">Editions<br \/>\nL&#8217;Harmattan &#8211; 13 Rue de l&#8217;Ecole Polytechnique &#8211; 75005 ParisT\u00e9l<br \/>\n01.55.42.07.37 &#8211; mail : <a href=\"javascript:location.href='mailto:'+String.fromCharCode(99,101,108,105,110,101,46,108,97,115,104,101,114,109,101,115,64,104,97,114,109,97,116,116,97,110)+'?'\" _fcksavedurl=\"javascript:location.href='mailto:'+String.fromCharCode(99,101,108,105,110,101,46,108,97,115,104,101,114,109,101,115,64,104,97,114,109,97,116,116,97,110)+'?'\">celine.lashermes@harmattan<\/a>.fr<\/span><a href=\"http:\/\/www.editions-harmattan.fr\/\" _fcksavedurl=\"http:\/\/www.editions-harmattan.fr\/\" mce_href=\"http:\/\/www.editions-harmattan.fr\"><span style=\"font-size: small;\">www.editions-harmattan.fr<\/span><\/a><\/div>\n<div class=\"corpsTexte\"><span style=\"font-size: small;\"><br \/><\/span><\/div>\n<p><\/p>\n<p><\/multi><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Paris, L&#8217;Harmattan, 2009, 20 ?, 212 p., ISBN : 978-2-296-07519-1 On ne na\u00eet pas homme, on le devient. Ce principe, qui depuis vingt ans anime des recherches en sociologie, en [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":223,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_price":"","_stock":"","_tribe_ticket_header":"","_tribe_default_ticket_provider":"","_tribe_ticket_capacity":"0","_ticket_start_date":"","_ticket_end_date":"","_tribe_ticket_show_description":"","_tribe_ticket_show_not_going":false,"_tribe_ticket_use_global_stock":"","_tribe_ticket_global_stock_level":"","_global_stock_mode":"","_global_stock_cap":"","_tribe_rsvp_for_event":"","_tribe_ticket_going_count":"","_tribe_ticket_not_going_count":"","_tribe_tickets_list":[],"_tribe_ticket_has_attendee_info_fields":false},"categories":[6,7],"tags":[],"translation":{"provider":"WPGlobus","version":"3.0.0","language":"en","enabled_languages":["fr","en"],"languages":{"fr":{"title":true,"content":true,"excerpt":false},"en":{"title":true,"content":true,"excerpt":false}}},"_links":{"self":[{"href":"https:\/\/ancien.siefar.org\/en\/wp-json\/wp\/v2\/posts\/2041"}],"collection":[{"href":"https:\/\/ancien.siefar.org\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/ancien.siefar.org\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/ancien.siefar.org\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/ancien.siefar.org\/en\/wp-json\/wp\/v2\/comments?post=2041"}],"version-history":[{"count":0,"href":"https:\/\/ancien.siefar.org\/en\/wp-json\/wp\/v2\/posts\/2041\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/ancien.siefar.org\/en\/wp-json\/wp\/v2\/media\/223"}],"wp:attachment":[{"href":"https:\/\/ancien.siefar.org\/en\/wp-json\/wp\/v2\/media?parent=2041"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/ancien.siefar.org\/en\/wp-json\/wp\/v2\/categories?post=2041"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/ancien.siefar.org\/en\/wp-json\/wp\/v2\/tags?post=2041"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}